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A Song of Light 1:430:00/1:43
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The Outskirts 3:530:00/3:53
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Lurking in the Dark 4:370:00/4:37
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Forsaken 4:470:00/4:47
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Desolation Dunes 4:410:00/4:41
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Ode to The Elderkin 4:090:00/4:09
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The Void 1:090:00/1:09
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The Void (Fire) 1:450:00/1:45
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The Void (Water) 1:510:00/1:51
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The Void (Light) 1:430:00/1:43
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The Void (Shadow) 1:490:00/1:49
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The Void (Earth) 1:450:00/1:45
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The Void (Air) 2:060:00/2:06


Film & Media Credits:


Video Games Credits:
Click on image to view project page.

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Trailer Theme 2023 2:090:00/2:09
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Aggrium Mines 2:030:00/2:03
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Kazuma Theme 2:060:00/2:06
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0:00/2:41
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Sovereign Peak 2:030:00/2:03
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0:00/2:32
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Cargo 2:120:00/2:12
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0:00/2:24
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0:00/2:10
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Neon Overload 2:010:00/2:01
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Urdah Theme 2:180:00/2:18
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0:00/2:45
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Reina Theme 2:290:00/2:29
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0:00/2:24
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Weishan Theme 2:120:00/2:12
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0:00/2:16
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Torment Theme 1:310:00/1:31
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0:00/1:13
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Raymer Theme 1:150:00/1:15
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Trailer Theme 2:270:00/2:27
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Dungeon Ambience 2:120:00/2:12
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Dungeon Ambience 2 2:300:00/2:30
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Menu Theme 4:160:00/4:16
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Forest Theme 3:020:00/3:02
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Forest Theme 2 2:510:00/2:51
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Forest Night Theme 3:420:00/3:42
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Desert Theme 2:090:00/2:09
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Snow Theme 3:140:00/3:14
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Forest Transition 1 1:200:00/1:20
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Forest Transition 2 1:130:00/1:13
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Forest Transition 3 1:130:00/1:13
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Desert Transition 1 1:500:00/1:50
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Desert Transition 2 2:100:00/2:10
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Desert Transition 3 1:330:00/1:33
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Desert Night 2:250:00/2:25

Mixing & Mastering

Clean, Wide and Powerful.
Get in touch with me for professional Mixing & Mastering services!
Judge yourself, compare my versions to the originals.
These are mixes I made for practice only.

Worked on fixing this impossible mix, featured in SOS Magazine.
Sound Design Demo Reel

About

A unique encounter with music and sound
I have always had a love for creativity and its possibilities to discover new dimensions. When I was a kid, I started to develop a deep emotional connection with my piano. Trying to experiment with its creative power, I started to improvise and compose and got very frustrated at music school. They won’t let me improvise or play my own pieces, so I quitted at the age of 10.
Since then, I’ve been a self-taught person and I understood that the best way for me to learn was from the inside and using the creative process and self-criticism as teachers.
On my early teens, I discovered music softwares and my conception of music making changed forever. Suddenly a new world of possibilities appeared. It took me many years to learn all the tools and develop a structured mindset for making better music every time. I started to engage with the absurd idea of making the best music in the world (impossible to achieve, very rewarding to pursue).
At 18 years old, I got my first job to work on a video game soundtrack. Since then, audio for video games and media has become my full-time job. And 8 years of mistakes and learnings after, I can only say how happy I am to know my music has connected with people and how proud I am to have filled so many projects with sound and emotions.
Now, my goal is to share that deep emotional connection I started to feel when I was a kid with others and to find the rhythm between hearts and ideas.
